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ArtVark  
#1 Posted : Saturday, October 17, 2009 7:26:34 AM(UTC)
ArtVark

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As I only use digital sources, I'm looking at connecting my Buf32 directly to a power amp and use the Volumite for volume control. Has anybody tried this?
From what I understand, the Volumite controls volume by getting the DAC to shift bits around. As the whole thing is 32 bits, it is possible to 'shift' 8 bits without losing any resolution in the signal if the source is 24 bits, and 'shift' 16 bits if the source is 16 bits. At least, that's what I think... Is this more or less correct?

What I don't know is how volume can be cut without affecting the sound. Is there an way to simulate something like this? My main concern is that when I turn down the sound to reasonable levels with a heavy power amp I start to lose resolution.



AudioBear  
#2 Posted : Sunday, October 18, 2009 1:55:01 AM(UTC)
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I use a Buff32s with Volumite straight into my valve power amps and it is very fine indeed.

Just watch the input sensitivity of your power amps, at least with single ended, it is 2v, quite a bit too high for my valve amps. You can reduce this with some resistors on board, I'm sure Russ can supply the required values if you can give him the amps input sensitivity / desired output voltage.

If you have TP's power amps or with balanced inputs on your power amps it might be even better?

I cannot hear any degradation with the volume control, actually the opposite. I did a rough comparison between the Volumite and a passive TVC, I found the sound more detailed with the Volumite, although I guess some people might prefer the TVC sound or indeed more active stages? The quality does not appear to change with volume IMHO.

I leave others, more qualified than me, to comment on how the Volumite and Buff32s actually work, but I think you have the gist of it.
Beefy  
#3 Posted : Monday, October 19, 2009 9:26:46 AM(UTC)
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ArtVark wrote:
From what I understand, the Volumite controls volume by getting the DAC to shift bits around. As the whole thing is 32 bits, it is possible to 'shift' 8 bits without losing any resolution in the signal if the source is 24 bits, and 'shift' 16 bits if the source is 16 bits. At least, that's what I think... Is this more or less correct?


That is correct, according to my understanding of it.

Quote:
What I don't know is how volume can be cut without affecting the sound. Is there an way to simulate something like this? My main concern is that when I turn down the sound to reasonable levels with a heavy power amp I start to lose resolution.


Another option...... once you have it all there in front of you, try optimising the gain of the output stage. Reduce the gain such that you stay in the top 'half' of the volume control. Pretty easy with the Buffalo32 - it is controlled by just a couple of optional resistors, which I think you could probably socket for initial testing.
ArtVark  
#4 Posted : Monday, October 19, 2009 2:27:27 PM(UTC)
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AudioBear, nice to hear it should work fine. I'm split on the balanced input issue. I know it's recommended but I may be able to get a good deal on a single ended amp. I'm going to borrow a van Medevoort with both inputs so I can compare.

Beefy, good suggestion! A powerfull amp is recommended to get the best out of my speakers, way way louder than I would ever use in my small living room. Adding some resistors would drop the gain nicely and allow me some more control with the Volumite. Just what I needed.

I'm hoping to try a reconditioned Swiss Physics Model 6 in a while, will post the results here.
Brian Donegan  
#5 Posted : Tuesday, October 20, 2009 4:36:06 AM(UTC)
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Quote:
From what I understand, the Volumite controls volume by getting the DAC to shift bits around. As the whole thing is 32 bits, it is possible to 'shift' 8 bits without losing any resolution in the signal if the source is 24 bits, and 'shift' 16 bits if the source is 16 bits. At least, that's what I think... Is this more or less correct?


Sort of, but this is really a bad description of what is happening when you control the volume digitally. If the volume was varied by shifting bits to the left and right, you would only have 16-steps for a CD signal, and 32-steps for a 32-bit signal. This is not at all how it works.

Each binary number represents the amplitude of a time slice of an analog waveform. So, the 16-bit binary number 0011010010011110 binary represents 13470 decimal, on a scale of 0-65535 (1111111111111111 binary). When adjusting the volume, you want a smaller scale image of the original waveform. So to reduce the volume by 10%, you take half of our original value (13470) and get 12123, which in binary is 0010111101011011. For the Buffalo, the volume is adjusted using 32-bit words and has 256 steps (0 to 4294967295 in steps of 16843009).

All of this does not take into account varying the volume logarithmically (I did it linearly for clarity).

If you "shift bits" to the left, each step would reduce the volume by half.

Essentially when you adjust the volume digitally, you get a scaled image of the original waveform, just as you would (hopefully) if you adjusted it in the analog realm. The main differences are that in the analog realm, it's more of an approximation of the original wave form (due to material variance, stray capacitance and inductance, etc in the pats involved), more noise from the resistors that must be used, and tracking error between channels.

In both schemes, you lose "resolution," but this does not mean binary resolution. It means you lose signal level. Since generally speaking, the noise level of an amplifier is constant, you have a lower signal to noise ratio with lower volume. Of course, if you volume control adds noise (analog), you get not only reduced signal level but increased noise (!), to the SN ratio is much worse.

Hope this helps clear things up a bit.

[EDIT] I totally forgot about mentioning the varying output impedance of a pot and it's effects on the next stage. Just more badness.

Edited by user Tuesday, October 20, 2009 7:26:24 AM(UTC)  | Reason: Not specified

ArtVark  
#6 Posted : Tuesday, October 20, 2009 10:18:07 AM(UTC)
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Brian, thanks for the clarification. My attempt to explain what I thought was going on does look a bit iffy now you mention it...
What I think I was trying to say was, if you have an 8 bit resolution sine wave (in an 8 bit environment) you have 256 distinct 'steps' in the wave. Reduce this by 50% to attenuate volume and you have 7 bits left , which is only 128 steps. And so on till you have 1 bit left.
Now if you put the same 8 bit sine wave in a 16 bit environment where it is turned 16 bits like so:
11111111 8 bit will become 11111111 00000000 16 bit
10101010 8 bit will become 10101010 00000000 16 bit

When you reduce it by 50%, it will become
01111111 10000000
01010101 00000000

Reduce it another 50% (25% of original):
00111111 11000000
00101010 10000000

You still have the original 'resolution' in there. And you can turn the volume down a long way before you start 'running out of bits'. (Also linear to keep life simple)

In short:
1. Use Volumite and live with the power amp noise and noise from the DAC + interlink remaining the same. Don't worry about 'digital resolution', the volume has to be a very long way down before it affects the sound.
2. Use something like a Joshua tree on the amp side, which will also reduce the overall noise from the DAC and interlink. But possibly have other things affecting the sound again.

I'm sorry if I sound like a complete idiot, I'm quite new at all this. Thanks a lot for the explanation so far. Have I got the right idea here?
Brian Donegan  
#7 Posted : Tuesday, October 20, 2009 10:30:58 AM(UTC)
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Quote:
1. Use Volumite and live with the power amp noise and noise from the DAC + interlink remaining the same. Don't worry about 'digital resolution', the volume has to be a very long way down before it affects the sound.


Power amp noise is constant in both approaches. You volume control will not affect it. Noise from the DAC is infinitesimally small, especially if you are using balanced outputs. There is no noise from the interconnects, or none worth mentioning (0.00000001% or something).

Quote:
2. Use something like a Joshua tree on the amp side, which will also reduce the overall noise from the DAC and interlink. But possibly have other things affecting the sound again.


JT will not really reduce output noise from the DAC, as the resistors in it will introduce more noise then in present in the DAC outputs. This is just a fact of life with resistors.
ArtVark  
#8 Posted : Tuesday, October 20, 2009 10:43:09 AM(UTC)
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I was just about to correct my post, because I thought I had it all wrong again... d'oh!
Apparantly not so bad this time.

Thanks for your time Brian. I will stick with just the Volumite and see how it works out when I hook up the Swiss Physics. Should be just fine, probably even a lot better than that Drool

Edited by user Tuesday, October 20, 2009 10:43:59 AM(UTC)  | Reason: Not specified

sureshm  
#9 Posted : Tuesday, October 20, 2009 3:41:08 PM(UTC)
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Brian,

Just to understand it a bit better, if you for example use foobar and a 16 bit wave file, output to the DAC at 32 bits and use the volume control in foobar, does that have the same result as using the Volumite? I think foobar internally processes at 32 bit so the "scaling of the original waveform" is all calculated at 32 bit and then sent to DAC.

Or is the scaling in the DAC itself much more sophisticated than a standard digital volume control operating at 32 bit?

Thanks
Brian Donegan  
#10 Posted : Tuesday, October 20, 2009 5:54:10 PM(UTC)
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from "Technical Details of the Sabre Audio DAC":

"D. Clickless, Very High Resolution Volume control
The firmware presents a 0.5dB volume control register to the
user allowing setting of volume to 0.5dB accuracy. However,
internally the volume control operates to less than 1/64 of a dB
and smoothly moves from one requested volume to the next.
This results in a perfectly click-less volume step."

voodooless  
#11 Posted : Friday, October 23, 2009 12:21:23 PM(UTC)
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Wasn't it so that the internal volume control had an equivalent resolution of 52 bits?
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